64 items found
Keywords: "Sacred Steel" (All words)
Sorted by Title
2nd Annual Florida Folk Festival Schedule, 1954

2nd Annual Florida Folk Festival Schedule, 1954

Date
1954-05-06
Description
Schedule for the 2nd Annual Florida Folk Festival held May 6-9, 1954, in White Springs.
Collection
Antjuan Edwards interview for the Sacred Steel Guitar Recording Project

Antjuan Edwards interview for the Sacred Steel Guitar Recording Project

Date
1995-07-12
Description
One audiocassette recording. Recorded at the Ocala House of God Church #2. At the time, Edwards was a sophomore at Vanguard High School. He discussed playing and learning the sacred steel guitar. There is a significant amount of background noise, but the interview is still audible.
Collection
Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project

Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project

Date
1993-11-26
Description
Four audio cassette recordings. Recorded at Nelson's sister's house (Mary Linzy) in Ocala. Ghent and Nelson discuss the origins of the Sacred Steel tradition, early influences (e.g. Troman and Willie Eason), the House of God tradition, and playing styles. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Date
1993-11-26
Description
One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent performing Father in Jesus Name

Aubrey Ghent performing Father in Jesus Name

Date
1993-09-05
Description
One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Identifier Title Type Subject Thumbnail
s1619_b001_f02_1954_022nd Annual Florida Folk Festival Schedule, 1954TextFolk Festivals--Florida--Hamilton County--White Springs
Festivals, Events and Conferences
Festivals--Florida--Hamilton County--White Springs
/fpc/memory/omeka_images/collections/broadsides/thumbnails/s1619_b001_f02_1954_02.jpg
a_s2044_02_tape16Antjuan Edwards interview for the Sacred Steel Guitar Recording ProjectSoundField recordings
Steel guitars
Guitar music
African Americans
Religious songs
Religious music
Gospel songs
Oral histories
Interviews
Religion
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape12Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording ProjectSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Personal experience narratives
Interviews
Oral histories
Life histories
Oral history
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape03Aubrey Ghent and his father Henry Nelson performing sacred steel music at various eventsSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Festivals
Folk festivals
Special events
Church attendance
Church services
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape09Aubrey Ghent performing Father in Jesus NameSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
FA2321Aubrey Ghent playing his steel guitar - Fort Pierce, FloridaGospel music
African Americans--Music
Gospel (Black)
Religious music
Musical traditions, Sacred
Ethnicity, African American
Ethnicity, African diaspora
Popular music
Songs
Electric guitar music
Musical instruments
Stringed instruments
Guitar
Electronic musical instruments
African American guitarists
Instrumentalists
Gospel musicians
African American entertainers--Florida--Saint Lucie County--Fort Pierce
African American musicians--Florida--Saint Lucie County--Fort Pierce
African American men--Florida--Saint Lucie County--Fort Pierce
Electric guitar
/fpc/folklife/fa2321.gif
FS65323Chris Brinson plays a slide guitar - Leesburg, Florida.Folklife and folklore projects
Projects, instate
Arts (Performing)--Florida--Leesburg
Guitar
Bottleneck (Guitar playing)
Performing arts--Florida--Leesburg
Music--Performance
Musical instruments
Musicians--Florida--Leesburg
Entertainers--Florida--Leesburg
/fpc/folklife/fs65323.gif
FS65330Chris Brinson plays a slide guitar - Leesburg, Florida.Folklife and folklore projects
Projects, instate
Arts (Performing)--Florida--Leesburg
Guitar
Bottleneck (Guitar playing)
Performing arts--Florida--Leesburg
Music--Performance
Musical instruments
Musicians--Florida--Leesburg
Entertainers--Florida--Leesburg
/fpc/folklife/fs65330.gif
FS65319AChris Brinson plays a slide guitar - Leesburg, Florida.Folklife and folklore projects
Projects, instate
Arts (Performing)--Florida--Leesburg
Guitar
Bottleneck (Guitar playing)
Performing arts--Florida--Leesburg
Music--Performance
Musical instruments
Musicians--Florida--Leesburg
Entertainers--Florida--Leesburg
/fpc/folklife/fs65319a.gif
FS6538Chris Brinson plays a slide guitar - Leesburg, Florida.Folklife and folklore projects
Projects, instate
Arts (Performing)--Florida--Leesburg
Performing arts--Florida--Leesburg
Music--Performance
Musical instruments
Entertainers--Florida--Leesburg
Musicians--Florida--Leesburg
/fpc/folklife/fs6538.gif