s1619_b001_f02_1954_02 | 2nd Annual Florida Folk Festival Schedule, 1954 | Text | Folk Festivals--Florida--Hamilton County--White Springs Festivals, Events and Conferences Festivals--Florida--Hamilton County--White Springs | /fpc/memory/omeka_images/collections/broadsides/thumbnails/s1619_b001_f02_1954_02.jpg |
a_s2044_02_tape16 | Antjuan Edwards interview for the Sacred Steel Guitar Recording Project | Sound | Field recordings Steel guitars Guitar music African Americans Religious songs Religious music Gospel songs Oral histories Interviews Religion | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Antjuan Edwards interview for the Sacred Steel Guitar Recording Project
- Date
- 1995-07-12
- Description
- One audiocassette recording. Recorded at the Ocala House of God Church #2. At the time, Edwards was a sophomore at Vanguard High School. He discussed playing and learning the sacred steel guitar. There is a significant amount of background noise, but the interview is still audible.
- Collection
a_s2044_02_tape12 | Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Personal experience narratives Interviews Oral histories Life histories Oral history Protestants Christianity Churches Religion Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project
- Date
- 1993-11-26
- Description
- Four audio cassette recordings. Recorded at Nelson's sister's house (Mary Linzy) in Ocala. Ghent and Nelson discuss the origins of the Sacred Steel tradition, early influences (e.g. Troman and Willie Eason), the House of God tradition, and playing styles. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s2044_02_tape03 | Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Festivals Folk festivals Special events Church attendance Church services Protestants Christianity Churches Religion Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events
- Date
- 1993-11-26
- Description
- One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s2044_02_tape09 | Aubrey Ghent performing Father in Jesus Name | Sound | Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Bands (Music) Musical groups Churches Religion Christianity Protestants Guitarist Singers Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent performing Father in Jesus Name
- Date
- 1993-09-05
- Description
- One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
FA2321 | Aubrey Ghent playing his steel guitar - Fort Pierce, Florida | | Gospel music African Americans--Music Gospel (Black) Religious music Musical traditions, Sacred Ethnicity, African American Ethnicity, African diaspora Popular music Songs Electric guitar music Musical instruments Stringed instruments Guitar Electronic musical instruments African American guitarists Instrumentalists Gospel musicians African American entertainers--Florida--Saint Lucie County--Fort Pierce African American musicians--Florida--Saint Lucie County--Fort Pierce African American men--Florida--Saint Lucie County--Fort Pierce Electric guitar | /fpc/folklife/fa2321.gif |
FS65323 | Chris Brinson plays a slide guitar - Leesburg, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Leesburg Guitar Bottleneck (Guitar playing) Performing arts--Florida--Leesburg Music--Performance Musical instruments Musicians--Florida--Leesburg Entertainers--Florida--Leesburg | /fpc/folklife/fs65323.gif |
FS65330 | Chris Brinson plays a slide guitar - Leesburg, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Leesburg Guitar Bottleneck (Guitar playing) Performing arts--Florida--Leesburg Music--Performance Musical instruments Musicians--Florida--Leesburg Entertainers--Florida--Leesburg | /fpc/folklife/fs65330.gif |
FS65319A | Chris Brinson plays a slide guitar - Leesburg, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Leesburg Guitar Bottleneck (Guitar playing) Performing arts--Florida--Leesburg Music--Performance Musical instruments Musicians--Florida--Leesburg Entertainers--Florida--Leesburg | /fpc/folklife/fs65319a.gif |
FS6538 | Chris Brinson plays a slide guitar - Leesburg, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Leesburg Performing arts--Florida--Leesburg Music--Performance Musical instruments Entertainers--Florida--Leesburg Musicians--Florida--Leesburg | /fpc/folklife/fs6538.gif |