a_s1576_63_c96-058 | Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 11) | Sound | Poets Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Oral narratives Personal experience narratives Life histories Arts, Japanese Japanese Americans Arts, Asian Asian Americans Minorcan Americans Poetry Poetic language Children | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_63_c96-059 | Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 12) | Sound | Composer Singers Authors Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Oral narratives Personal experience narratives Life histories Arts, Japanese Japanese Americans Arts, Asian Asian Americans Cherokee Indians Composers Poetic language Writing | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_64_c96-097 | Friday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 6) | Sound | Dancers Folk festivals Folklore revival festivals Festivals Special events Performing arts Dance music Arts, Nicaraguan Nicaraguan Americans Bands (Music) Music Latin America Arts, Japanese Japanese Americans Asian Americans Dance | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Friday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 6)
- Date
- 1996-05-24
- Description
- One audio cassette tape. McKenzie served as emcee. Toro Huaco dance displays Nicaraguan pageantry (dance is to pre-recorded music). It is a folk dance that tells the story of a bullfight. Costumes are very colorful. Kazuko Law and Wako Kai lead a Japanese narrative dance troupe. Dances performed include: Honen Ondo; Heisei Roman; a dance crafted in honor of the Prince of Japan's marriage to a commoner and Kasa Odori, a dance using umbrellas. Continued on C96-98.
- Collection
a_s1576_64_c96-098 | Friday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 7) | Sound | Dancers Folk festivals Folklore revival festivals Festivals Special events Performing arts Dance music Oral communication Mexican Americans Burial rites Death rites Arts, Japanese Japanese Americans Asian Americans Dance | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Friday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 7)
- Date
- 1996-05-24
- Description
- One audio cassette tape. McKenzie served as emcee. Kazuko Law and Wako Kai continue from C96-97 with their Japanese narrative dance troop. They perform a folk dance about a man who like sto live the high life and Kawachi Otoko Bushi. There is a time for audience participation and a description of things in the folklife building. Catalina Trunk describes the Mexican celebrations of Day of the Dead and death traditions in different parts of Mexico.
- Collection
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Still Image | Fieldwork Apprentices Arts, Japanese Japanese Americans Arts, Asian Asian Americans Asian American arts Dance Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest
- Date
- 1995
- Description
- Three proof sheets with 78 black and white images (plus negatives). Forrest was funded to learn from Law eight traditional Japanese. For more information, see S 1644, box 12, folder 4. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Still Image | Fieldwork Apprentices Arts, Japanese Japanese Americans Arts, Asian Asian Americans Asian American arts Dance Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest
- Date
- 1995-01
- Description
- 15 color slides. Forrest was funded to learn from Law eight traditional Japanese. For more information, see S 1644, box 12, folder 4. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest | Still Image | Fieldwork Apprentices Arts, Japanese Japanese Americans Arts, Asian Asian Americans Asian American arts Dance Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Japanese dancer Kazuko Law and her apprentice Ofuyu Forrest
- Date
- 1995-08-26
- Description
- 15 color slides. Forrest was funded to learn from Law eight traditional Japanese. For more information, see S 1644, box 12, folder 4. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of the 1984 Great Gulf Coast Arts Festival in Pensacola | Images of the 1984 Great Gulf Coast Arts Festival in Pensacola | Still Image | Material culture Leather craft Quilting Domestic arts Craft Festivals Folk festivals Drums Musicians Netmaking Origami Asian American arts Music performance Arts, Asian | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the 1984 Great Gulf Coast Arts Festival in Pensacola
- Date
- 1984-11-04
- Description
- Thrity-two color slides. 769-773: Vera Sanders making quilts; 774-776: Hubert Whitworth displaying his cast nets; 777-778: Jim Archer making saddles; 779-780: example of Alma Watson's tatting; 781-784: the US Navy Steel Drum band performing; 785-788: Musicians of the Past program; 789-798: Razuko Law doing origami and Temari (tradional Japanese crafts).
- Collection
a_s1640_20_tape08 | Interview with Kazuko Law and apprentice Chieri Espasito | Sound | Artisans Paper art Paper work Fieldwork Apprentices Arts, Japanese Arts, Asian Temari Origami Japanese Americans Needlework Craft Interviews Decorative arts Life histories Family history Emigration and immigration Dollmaking | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Kazuko Law and apprentice Chieri Espasito
- Date
- 1985-02-14
- Description
- One audio cassette. Interview with master folk artist Kasuko Law and her daughter (and apprentice) Chieri. They discuss family history and life in Japan and China (Law's father supplied the Japanse Army during the second world war); immigration to the United States in 1952; the uses of, designs for, and processes in temari making; origami; doll making; and learning and teaching temari and origami. Temari is the traditional Japanese art of decorating spheres by winding and lacing colored threads in intricate patterns around a core ball. For a transcript of the interview, see S 1640, Box 2, folder 13. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
FS85797 | Japanese artisan Kazuko Law - Pensacola, Florida. | | Japanese American women--Florida--Escambia County--Pensacola Art festivals--Florida--Escambia County--Pensacola Folklore revival festivals--Florida--Escambia County--Pensacola Folk festivals--Florida--Escambia County--Pensacola Festivals--Florida--Escambia County--Pensacola Artisans--Florida--Escambia County--Pensacola Ethnicity, Japanese | /fpc/folklife/fs85797.gif |