a_s1603_05_02_tape01 | Recordings of gospel musician Willie Eason | Sound | Singers African Americans Gospel (Black) Gospel musicians Steel guitars Religious music Gospel music Sound recordings Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recordings of gospel musician Willie Eason
- Date
- 1950
- Description
- Two audio cassettes. Recordings of Eason's music. One tape is Just a Closer Walk With Thee, and the second is recordings made in 1995 of his old 78 records. A popular gospel musician in the St. Petersburg area. He influenced most gospel steel guitarists. He won the 1995 Florida Folk Heritage Award.
- Collection
a_s1576_44_d95-009 | Saturday performances at the 1995 Florida Folk Festival (Old Marble Stage) (Tape 4) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Bluegrass music Stringband music Old time music Guitar music Country music Folk singers Secretaries of State (State governments) Awards Speeches, addresses, etc. Florida. Dept. of State (1995-1999 : Mortham) Cabinet officers Public officials Singers Musicians Guitarist Secretary of State Blues singers Public officer Needleworkers Boatbuilders Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Saturday performances at the 1995 Florida Folk Festival (Old Marble Stage) (Tape 4)
- Date
- 1995-05-27
- Description
- One digital audio tape(DAT). Rozar served as emcee. Steel guitarist Eason, needleworker Horvath, and sfiff boat builder Simmons were awarded the 1995 Florida Folk Heritage Awards. Diddley, Tucker, and Mortham made speeches. Based on recommendations from the Florida Folklife Council, the Secretary of State confers Florida Folk Heritage Awards annually. The awards are given to outstanding folk artists and folk culture advocates who have made long-standing contributions to the folk cultural resources of the state. Established in 1985, the program parallels the National Heritage Fellowships.
- Collection
a_s1576_78_d98-045 | Saturday performances at the 1998 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 2) | Sound | Musicians Guitarist Pianists Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Contests Competitions Fiddle music Fiddling Old time music Steel guitars African Americans Workshops (Adult education) Gospel (Black) Gospel music Guitar music Fiddlers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_72_c98-100 | Saturday performances at the 1998 Florida Folk Festival (Old Marble Stage) (Tape 2) | Sound | Singers Guitarist Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Guitar music Steel guitars Gospel (Black) Gospel music Religious songs African Americans Religious music Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_68_c97-084 | Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tapes 14, 15) | Sound | Folk festivals Folklore revival festivals Festivals Special events Oral performance Life histories Interviewing African Americans Steel guitars Guitar music Gospel (Black) Gospel music Gospel musicians Religious music Religious songs Personal experience narratives Singers Musicians Guitarist | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tapes 14, 15)
- Date
- 1997-05-24
- Description
- Two audio cassette recordings. Sonny Treadway and Willie Eason, interviewed by Bob Stone, discuss sacred steel music and the history of their music. Treadway describes the making of his instrument and his mentor, Bishop Lorenzo Harrison. Stone mentions Eason's ability to make his steel guitar sound like a human voice. They perform several songs -- many of which were unidentified.
- Collection
a_s2044_02_tape08 | Sonny Treadway performing Hold to Gods Unchanging Hand | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Bands (Music) Musical groups Churches Religion Christianity Protestants Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Sonny Treadway performing Hold to Gods Unchanging Hand
- Date
- 1994
- Description
- One audio cassette recording. Rough mix recording of the song. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s2044_02_tape04 | Sonny Treadway performing sacred steel music with a band at a House of God church | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Musical groups Churches Religion Christianity Protestants Bands (Music) Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Sonny Treadway performing sacred steel music with a band at a House of God church
- Date
- 1994-02-20
- Description
- One audio cassette recording. Made during the last day of the annual State Assembly of the Jewell Dominion churches of Florida. These are excerpts from a longer recording. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s2044_02_tape07 | Sonny Treadway performing two takes of This is a Holy Church | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Bands (Music) Musical groups Churches Religion Christianity Protestants Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Sonny Treadway performing two takes of This is a Holy Church
- Date
- 1994-10-12
- Description
- One audio cassette recording. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s1576_77_d98-016 | Sunday performances at the 1998 Florida Folk Festival (Main Stage) (Tape 1) | Sound | Singers Musicians Guitarist Storytellers Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Guitar music Steel guitars Old time music String bands Stringband music Gospel music Gospel (Black) Gospel songs Religious songs Religious music Storytelling Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_68_c97-086 | Sunday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 1) | Sound | Folk festivals Folklore revival festivals Festivals Special events Oral performance Life histories Interviewing African Americans Steel guitars Guitar music Gospel (Black) Gospel music Gospel musicians Religious music Religious songs Personal experience narratives Singers Musicians Guitarist | /fpc/memory/omeka_images/thumbnails/audio.jpg |