FA6270 | Paul Butterfield records La Fuerza del Norte performing - Homestead, Florida | | Folklife and folklore projects Ethnicity, Latin American and Caribbean Ethnicity, Mexico Projects, Instate Entertainment Arts (Performing) Bass guitar Guitar Accordion Sound--Recording and reproducing Musical instruments Instrumentalists Musical groups--Florida--Homestead Bands (Music)--Florida--Homestead Artists--Florida--Homestead Entertainers--Florida--Homestead Musicians--Florida--Homestead Singers--Florida--Homestead Performing arts--Florida--Homestead | /fpc/folklife/fa6270.gif |
FA6271 | Paul Butterfield records La Fuerza del Norte performing - Homestead, Florida. | | Folklife and folklore projects Ethnicity, Latin American and Caribbean Ethnicity, Mexico Projects, Instate Entertainment Arts (Performing) Bass guitar Guitar Accordion Sound--Recording and reproducing Musical instruments Instrumentalists Musical groups--Florida--Dade County--Miami-Dade County--Homestead Bands (Music)--Florida--Dade County--Miami-Dade County--Homestead Artists--Florida--Dade County--Miami-Dade County--Homestead Entertainers--Florida--Dade County--Miami-Dade County--Homestead Musicians--Florida--Dade County--Miami-Dade County--Homestead Singers--Florida--Dade County--Miami-Dade County--Homestead Performing arts--Florida--Dade County--Miami-Dade County--Homestead | /fpc/folklife/fa6271.gif |
a_s1640_24_tape11 | Recording of a Tex-Mex Cajun Frolic | Sound | Fieldwork Cajun music Music performance Accordions Latinos Mexican Americans Accordion music Accordionists Norteño music Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1644_13_tape05b | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork Norteño music Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Musicians Accordionists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-09-14
- Description
- One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_23_tape09 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-11-25
- Description
- Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_23_tape11 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-04-02
- Description
- Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_23_tape13 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06-29
- Description
- Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
Rehearsal at Radio Continental for Mother's Day serenatas | Rehearsal at Radio Continental for Mother's Day serenatas | Still Image | Musicians Fieldwork Music performance Music rehearsals Radio stations Performing arts Mothers Day Songs and music Latinos Arts, Mexican Mexican Americans Bands (Music) Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Rehearsal at Radio Continental for Mother's Day serenatas
- Date
- 1995-05-13
- Description
- 35 color slides. On Mother's Day in Mexico, singers and musicians would often serenade mother's below their windows (serenatas). ON 14 May, Radio Continental (1430 AM) aired three bands singing these serenatas. These images are of a rehearsal held the day before the broadcast. La Fuerza del Norte consisted on Tomas Granado (accoridon), David Avalos (bajo sexto), Guadalupe Rivera (bass), and Alberto Spinoza (snare drum). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
a_s1576_42_d92-015 | Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Workshops (Adult education) Arts, Mexican Norteño music Dance music Folk dance Folk music Mexico Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_77_d97-032b | Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3 | Sound | Singers Musicians Dancers Bagpipers Guitarist Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Stringband music Old time music String bands Bluegrass music Patriotic songs Filipino Americans Asian Americans Asian American arts Tsabouna Arts, Greek Greek Americans Bagpipe music Guitar music Mexican Americans Folk music Mexico Cumbia Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |