FA2625 | Gospel steel guitarist Aubrey Ghent teaching his apprentice Elton Noble - Fort Pierce, Florida | | Gospel music African Americans--Music Gospel (Black) Religious music Musical traditions, Sacred Ethnicity, African American Ethnicity, African diaspora Teaching of folklore Popular music Songs Electric guitar music Musical instruments Stringed instruments Guitar Electric guitar African American guitarists Instrumentalists Gospel musicians African American musicians--Florida--Saint Lucie County--Fort Pierce African American entertainers--Florida--Saint Lucie County--Fort Pierce African American men--Florida--Saint Lucie County--Fort Pierce Mentoring in the arts Apprentices Electronic musical instruments | /fpc/folklife/fa2625.gif |
a_s2044_02_tape11 | Henry Nelson performing Amazing Grace | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Bands (Music) Musical groups Churches Religion Christianity Protestants Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Henry Nelson performing Amazing Grace
- Date
- 1993-09-05
- Description
- One audio cassette recording. For more of Nelson, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
Images of the 1995 Florida Folk Festival | Images of the 1995 Florida Folk Festival | Still Image | Choruses Singers Whip maker Rodeo performers Bands (Music) Performers Folklore revival festivals Folk festivals Music Performing arts String instruments String bands Arts, Nicaraguan Musical instruments Nicaraguan Americans Arts, Cuban Cuban Americans Awards African Americans Conga (dance) Storytelling Arts, Jewish Jewish Americans Arts, Greek Greek Americans Bluegrass musicians Boatbuilders Dancers Musicians Storytellers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the 1995 Florida Folk Festival
- Date
- 1995-05-26
- Description
- Two proof sheets with seventy-two black and white images, plus negatives. Images of the Florida Folk Heritage Awards (Sacred Steel guitar player Willie Eason and Everglades skiff Glen Simmons), the Folklife Area (Klezmer musician Bronsztein, gospel group the Versiteers, musician Walker, storyteller Llewellyn, bluegrass group Tru-Blu Grass, Greek-dance group the Dionysus Dancers, and the Colombian Folklore Group, the Dunedin Pipe Band, Seminole storyteller Jumper, Cuban conga dancer Los Rumberos Unidos, the Filipino Community Choir, an whip maker Curly Dekle), and the Amphitheater stage (Bronsztein, Nicaraguan-American Toro Huaco Dance Group, and old-time musician Culbreath.)
- Collection
Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble | Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble | Still Image | Guitarist Fieldwork Apprentices Steel guitars Guitarists African Americans String instruments Musical tradition, sacred Performing arts Music performance Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble
- Date
- 1994
- Description
- Two proof sheets with 49 black and white images (plus negatives); eight color slides. Apprentice Noble agreed to learn from Ghent how to tune, play chords and melodies on the steel guitar, as well as learn the cultural background of "sacred steel" -- a form of African American gospel music performed on the steel guitar (aka the Hawaiian guitar). For more information, see S 1644, box 11, folder 24. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble | Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble | Still Image | Guitarist Fieldwork Apprentices Steel guitars Guitarists African Americans String instruments Musical tradition, sacred Performing arts Music performance Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1640_24_tape13 | Interview with steel guitarist Aubrey Ghent and apprentice Elton Noble | Sound | Fieldwork Apprentices Steel guitars Guitarists African Americans String instruments Musical tradition, sacred Performing arts Music performance Interviews Personal experience narratives Gospel music Religious music Guitar music Guitarist Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
n2015-1_b001_f09_08 | Letter from Agnes D. McFaddin to the Eight Jailed Students, May 3, 1960 | Text | College students--Political activity Solidarity Civil rights movements--Public opinion | /fmp/stephens_sisters/thumbnails/n2015-1_b001_f09_08.jpg |
Letter from Agnes D. McFaddin to the Eight Jailed Students, May 3, 1960
- Date
- 1960-05-03
- Description
- Letter of encouragement from Agnes McFaddin to student protestors at Leon County Jail relating her daughter's experience with protesting racial injustice within her masonic organization and also reporting on the Woolworth's boycott in San Francisco.
- Collection
a_s2044_02_tape06 | Master of the Sacred Steel album | Sound | Guitarist Singers Audiotape recordings Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Religion Churches Christianity Concerts Community concerts Protestants Church services Prayer Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Master of the Sacred Steel album
- Date
- 1994-10-13
- Description
- One audio cassette recording. Master version of the Sacred Steel album, which was released in 1995 by the Florida Folklife Program. The album is divided into two sections: side 1 is instrumentals and concerts; side 2 are church services. For more information on musicians, recording locations, and production credits, see accompanying booklet, which can be found in S 2044, box 1, folder 22. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
FS11795B | Member of Sarasota Sacred Steel band - Fort Myers, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Lee County--Fort Myers Singers Entertainers--Florida--Lee County--Fort Myers Musicians--Florida--Lee County--Fort Myers Performing arts--Florida--Lee County--Fort Myers Bands (Music) Festivals--Florida--Lee County--Fort Myers Musical groups--Florida--Lee County--Fort Myers | /fpc/folklife/fs11795b.gif |
FS11791 | Natasha Millhouse performs with Sarasota Sacred Steel - Fort Myers, Florida. | | Folklife and folklore projects Projects, instate Arts (Performing)--Florida--Lee County--Fort Myers Singers Entertainers--Florida--Lee County--Fort Myers Musicians--Florida--Lee County--Fort Myers Performing arts--Florida--Lee County--Fort Myers Bands (Music) Musical groups--Florida--Lee County--Fort Myers Festivals--Florida--Lee County--Fort Myers | /fpc/folklife/fs11791.gif |